lorwolm: (Tsitao-utna's pencil#11)
I walk two miles to the post office every weekday and nearly every Saturday, to pick up my mail. Approximately every week, usually on a Wednesday, I walk the same distance (but in a different direction) to the library. On most Sundays I walk to a Catholic church a mile and a half away, but I do not go to mass, I just walk back, sometimes stopping for a bagel on the way home. That is my excercise program in its entirety. Last Wednesday I returned from my walk to the library and opened my front door to find Tsitao-utna strongly present in the house. Even though I stood only in the front hallway, I felt like she filled every room. Her presence oppressed me with urgency as I hurried to the kitchen, and I was so awkward in my haste I almost dropped her blue blowl as I removed it from the cupboard. As soon as I set her bowl and pencil on the table, she spoke. Her voice was harsh, hurried, and full of metallic clicks. She said a single phrase: "Siksga kelzwun rahben." And then she was gone, and the house was clear of all sense of her occupation.

Her abrupt departure left me a little shaken and I sat down in a chair, plopped like a sack of potatoes. I sat there for a while, staring at her bowl, thinking of nothing much. Eventually I heard a tick-tick-tick at the window and I looked up. A tiny gray bird was pecking at the window frame. It was Ga-ukogomen in his kinglet smallform. I hastened to my feet and opened the window. It is a peculiar thing to hear words of unmistakable clarity spoken from the beak of a bird. You almost feel you should look for a puppeteer or a ventriloquist. Ga-ukogomen spoke only five words before he flicked away through the Tecomaria vines that crowd the light from that window. He said, "You need paper and coffee."

After I made coffee, I sat down at the table with my mug and a piece of typing paper. I stared at Tsitao-utna's bowl and pencil, drinking my coffee, trying not to think about what I was going to draw. Messages from the Lorwolm are not meant for me, and I believe I might damage the conduit of transmission if I try to interpret them while I am in the process of writing them down for the first time. After I have written them down, clear and complete, a certain order might suggest itself, and only then do I allow myself to edit.

This is what I wrote:

  

I left the bowl, pencil and paper on the table. The next day, I added this to the first drawing:

  

On the third day, I added this:

  

I was staring at the page, wondering if I was finished, wondering if there was another line or squiggle I needed to draw, when a flicker at the edge of my eyesight made me look up. Ga-ukogomen was perched on the back of the chair opposite me, snapping his wings as birds do when they are setting their feathers into order.

He repeated Tsitao-utna's phrase, "Siksga kelzwun rahben." Except this time I heard, "Six gackles, one robin." And Ga-ukogomen extended it, so the whole sentence became "Six gackles, one robin, twelve blue feathers."

  

"It will be the name of the last Mesiok, " Ga-ukogomen added. "She will not leave this planet until the second gyre of the Four Wandering Moons."

When the Lorwolm use the term "leave this planet", I think they are talking about death, but I am not sure. They might be referring to a journey. To the Lorwolm, death and life are part of the same journey. They do not think of death as an absence of life, since they have died and lived many times. They regard death as a process of life, and fear it no more than we fear things like sleeping and digestion.

"Will she be an important person?" I asked Ga-ukogomen, but as soon as I spoke I realized it was an unnecessary question. Everything the Lorwolm tell me will have significance, some day in the future.

"She will be the last Mesiok," Ga-ukogomen repeated. "Her name will be a key to a locked book and a doom to a continent."

Copyright © 2010 Eirene Kuanyin Skadhi
lorwolm: (Tsitao-utna's pencil#5)
In the sixth gyre of the Age of Four Wandering Moons:

A new mood stirs under those yellow leafed boughs
Which shake
Within the impressed abstraction of scrolls from
Both 17th centuries.
A spring of words overflows the closest drawn goal in steel—
Poetry generated in a wide range of free-given street noise,
Raising delicate hopes for the strength of the resolved city.

The first two lines of the books of a feather-robed sage
Written on a thousand rolls of silk kept for all good:
Elusive time immediately experienced is frequently unfair.
Question or believe, but light travels slowly within the grave.

From the tale of the count who has not yet named a successor:
The countess arrays her daughter in her most resplendent robes
Clear-cut as laquered satin, gently shaped as the lining of
A seashell.
lorwolm: (Tsitao-utna's pencil#5)
In the second gyre of the Age of Four Wandering Moons:

A critical juncture will be overtaken by
The Dawn-breaker;
Queer and base, his sublimity is barely perceptible;
Cunning and brave, no-one will judge him at his
True value.
Three unimpeachable historians will call him villain,
A shabby clown performing in tapestried parlors.

In iron shoes and a steel jacket with prismatic
Dorsal plates,
A prisoner languishing in the cavern of a hundred walls,
Retains stewardship of ten thousand illuminated
Manuscripts.
Light and glory, honors and commendations, reward
Her perseverance.

Parched encroachments into every water on earth
Will be forestalled by a deep reservoir for the
Entire planet;
The lion's share for two million in the sacrificed
Territories.
lorwolm: (Tsitao-utna's pencil#11)
In the ladder gyre of the Age of Four Wandering Moons:

The odabild of Zaurik, the buried host, a lord of ruin--
His transport vessel crossing the waves of the air realm
With Percevirmal’s lions, guarding the velvet bones
Of ninety-seven books,
Is finally demolished in three attacks from
The fire griffin,
Before his testimony can be heard by the poisoned seer.

A red branch and a white branch act for
The unawed nations
Exiled to the farther coast of the female pope called Salt.
The male pope known by his peacock dagger and graffiti
Demands that they return a great relic they stole.

The innermost walls of the giant planet fall away
In copper and arsenic, in plumes
Of white, yellow and brown;
The satellites fall silent amidst the roar
Of erupting sulfur.

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